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Digital Humanities Class at UPOU

Digital Humanities Class at UPOU

Week 1 Activities (Feb 15-21,2021)

  • Unit 1. Development of Digital Humanities
  1. Defining the digital humanities

Required forum. Open until 19 February 2021.

We will have occasional Zoom sessions to discuss some topics and to simply touch-base as a class. It will not happen weekly and you will not be required to attend nor turn on your camera when you join. There will be no recitation and you are not required to talk during the session. (Although I would love to hear your voice as it is quite lonely to be talking alone.)

All sessions will be recorded and recordings will be uploaded for everyone to access.

Please choose the most ideal time for you to meet online. You are allowed to choose more than 1 schedule.

    • Zoom Times: Friday 6pm, Saturdays 9am, 12pm Tuesdays 12noon

Week 3: March 1-7,2021

Unit 1. Development of Digital Humanities

c. Varieties of digital humanities

Digital Humanities Projects

Below are links to different Digital Humanities (DH) Projects across the globe to demonstrate the diverse varieties of DH. As you explore the details of each project, answer the following questions

  1. What is the purpose of this project?
  2. Why was it conceptualised? What was/were the driving force/s?
  3. What is/are its contribution/s to its related field?
  4. Under which field or discipline does it belong? Are there more than one disciplines involved?

Note: Some of these sites will take a while to load. They contain a lot of images and dynamic content.

·         Week 4: March 8-14, 2021

·    Unit 2. Digital Humanities Methods and Genres

a. Digital publishing and archiving

Sample digital publishing and archiving projects

 

 

Week 5: March 15-21

 

Unit 2. Digital Humanities Methods and Genres

b. Audio/visual projects

The author describes curating sound(s) in a radio context and how this practice prompts creative Digital Humanities research, scholarship, and presentation.

Musicmap attempts to provide the ultimate genealogy of popular music genres, including their relations and history. It is the result of more than seven years of research with over 200 listed sources and cross examination of many other visual genealogies.

The Sonic Dictionary is a growing collection of more than 800 audio recordings created by university students. Our mission is to enhance the vocabulary of sonic experience.

Filming Revolution is a meta-documentary about documentary and independent filmmaking in Egypt since the revolution, bringing together the collective wisdom and creative strategies of media-makers in Egypt, before during and after the revolution. The ideology behind Film Revolution is to invite viewers to engage with Egyptian filmmakers, artists, activists and archivists, talking about their work and their ideas about how (and whether) to make films in the time of revolution.

 

Week 6: March 22-28, 2021

Unit 2. Digital Humanities Methods and Genres

c. Digital visualization, modelling and mapping

David McCandless turns complex data sets, like worldwide military spending, media buzz, and Facebook status updates, into beautiful, simple diagrams that tease out unseen patterns and connections. Good design, he suggests, is the best way to navigate information glut — and it may just change the way we see the world.

As part of an ongoing exhibition series with the Hyundai Card Design Library in Seoul, Korea, MoMA senior curator Paola Antonelli has organized three capsule exhibitions that highlight new frontiers in contemporary design and encourage international dialogue. The second exhibition, Data Visualization, opened in Seoul in July 2015.